Video for single "Hollywood" from the album "Afterwords

Live and acoustic in Morocco

Movie Soundtrack Video

stand against a powerful god who has brutally enslaved their people....10000 bc roland emmerich steven strait camilla belle cliff curtis warner bros. 3/7 From director Roland Emmerich comes a sweeping odyssey into a mythical age of prophesies and gods, when spirits rule the land and mighty mammoths shake the earth. In a remote mountain tribe, the young hunter, D'Leh (Steven Strait), has found his heart's passion -- the beautiful Evolet (Camilla Belle). When a band of mysterious warlords raid his village and kidnap Evolet, D'Leh is forced to lead a small group of hunters to pursue the warlords to the end of the world to save her. Driven by destiny, the unlikely band of warriors must battle saber-tooth tigers and prehistoric predators and, at their heroic journey's end, they uncover a Lost Civilization. Their ultimate fate lies in an empire beyond imagination, where great pyramids reach into the skies. Here they will take their stand against a powerful god who has brutally enslaved their people.

Love him or hate him, he is a character! This hand showcases Mike at his absolute best!

This is an excerpt from a full length DVD available at www.ProAudioDVDs.com. Host David Wills has toured with major artists such as Michael Jackson, Phil Collins, Whitney Houston, Chicago and Diana Ross and provides you with a professional's perspective but always demonstrated in an informal, easy to understand way. Here's a complete listing of the subjects that are covered... 0:08:10 SETTING UP YOUR KIT 0:09:10 INTRODUCTION 0:10:50 Front panel overview 0:12:10 Playing the Demo 0:13:45 Rear panel 0:16:15 DRUM KITS 0:17:25 Selecting Kits 0:17:55 "Storing" changes in a Kit 0:18:45 Restoring to Factory settings 0:19:55 Cross stick 0:20:45 Function screens 0:23:10 Naming Kits 0:23:40 Copy functions 0:24:35 Chain function 0:26:30 Mixer settings 0:29:10 INSTRUMENTS 0:30:00 Selecting Instruments 0:30:40 Editing Instruments 0:30:50 ...snare 0:36:15 ...kick 0:39:00 ...toms 0:39:30 ...hi-hat 0:40:45 ...cymbals 0:44:00 Copying Instruments 0:45:00 Assigning Patterns to Instruments 0:49:15 EFFECTS 0:49:25 Differences between TD-20 and TD-12 0:49:40 Compressors explained 0:51:40 Compressor settings 0:54:40 EQ explained 0:57:10 EQ settings 0:59:15 Ambience settings 1:02:15 Multi-Effects 1:03:05 Global Effects (TD-20 only) 1:04:45 TRIGGER SETTINGS 1:05:25 Trigger Banks 1:06:25 Trigger settings 1:08:00 ...sensitivity 1:08:25 ...threshold 1:09:00 ...velocity curve 1:10:50 ...crosstalk 1:12:25 Advanced settings 1:15:15 Naming Trigger Banks 1:15:30 SEQUENCER 1:16:05 Selecting Patterns 1:17:45 Editing Patterns 1:19:40 Creating your own Patterns 1:21:20 Tap Patterns vs. Loop Patterns 1:23:10 Quantize settings 1:23:35 Recording example 1:27:25 Playing Percussion sounds 1:27:50 Playing other parts from a MIDI keyboard 1:28:20 Pattern edits 1:29:30 ADVANCED FUNCTIONS 1:29:40 MIDI explained 1:31:45 Transmit/receive MIDI settings 1:37:30 Using the MIX in jack 1:39:10 Setting MIDI channels 1:40:35 Sync screens 1:43:25 Using Direct Outs 1:44:45 Footswitch settings (TD-20 only) 1:46:30 Backing up/Restoring 1:49:05 GRADUATION

Tango en skai I am a great admirer from Roland Dyens!

http://ace-reviews.com/freemovies - 10000 b.c. roland emmerich steven strait camilla belle cliff curtis warner bros. 3/7/08 www.10000bcmovie.com 10000 b.c. roland emmerich steven strait camilla belle cliff curtis warner bros. 3/7/08

Tervakello playing at Telakka in Tampere. This is an previously unrehersed improvisation encore.

Sheet Music: <a href="http://www.freewebs.com/graceguitars/Scrumpy%20Cider.pdf">Click Here</a> <a href="http://www.johnbarlowjarvis.com">JohnBarlowJarvis.com</a>

Available on DVD and Blu-Ray June 24th. The filmmaker who launched a UFO invasion in Independence Day and unleashed the forces of global warming in The Day After Tomorrow now unveils a new day of adventure, a time when mammoths shake the earth and mystical spirits shape human fates. Roland Emmerich directs 10,000 BC, the eye-filling tale of the first hero. That hero is young hunter D'Leh (Steven Strait), set out on a bold trek to rescue his kidnapped beloved (Camilla Belle) and fulfill his prophetic destiny. He'll face an awesome saber-toothed tiger. Cross uncharted realms. Form an army. And uncover an advanced but corrupt Lost Civilization. There, he will lead a fight for liberation - and become the champion of the time when legend began. www.10000bcmovie.com

Sheet Music: <a href="http://www.freewebs.com/graceguitars/pianosheetmusic.htm">Click Here</a><p>Had to use my music for this one--thus the obvious edits for fluidity. I had it memorized, but once I transposed it (it was too high), I no longer could do it from memory.

roland sands intro

My new studio stuff came!

with 303 subs - it is the right time to post this doc - will be of interest to any musicians - I used mine as an ashtray.....eventually sold it for £15 durrrrrr Probably THE defining trademark sound of 'Aceeeed', the TB303 became a highly sought after icon in certain dance music genres. But it didn't start off like that! It was originally intended as a perfectly synchronised bass accompaniment to the (identically styled) TR606 drum machine. Roland's idea was to provide the solo guitarist with a compact and portable rhythm and bass backing. How wrong could they have been? With all due respect to guitarists of the time, most of them weren't up to the programming complexities of a drum machine AND a quirky bass synth/sequencer. As a result, many that were bought quickly ended up in second hand stores. It was impoverished 'electro-wannabees' that elevated the TB303 to the status it now enjoys. Strapped for cash, these aspiring musos were after anything that made a sound and they found it in the used TB303s that were going for silly money in second-hand stores... so they bought them - what originally sold new for $200 was now on the streets for $25 or less. They took these machines (no doubt blissfully unaware of the manufacturer's original intentions) and used (and abused) them to create a whole new musical style. Suddenly, the music of the late '80s and the '90s was alive with squealing TB303s underpinning the dance music of the time. Surprisingly, the TB303 was not some short-lived gimmick as is so often the case. In fact, it grew and grew in popularity to the point where, once again, the TB303 was selling second-hand for silly prices - this time, however, upwards of $1,500!! For the same kind of money, you could have bought yourself a decent workstation at the time but instead, people were spending it on a simple 1-oscillator monosynth! Madness! In an attempt to make the sound more affordable, there were several TB303 clones made that emulated the synth section exactly - there was also Propellerhead's excellent ReBirth software clone that provided not only two TB303s but also an emulated TR808 and TR909 which all worked in perfect sync and which could be synced up to software sequencers (ReBirth is still available at the Propellerheads website). But, despite these products, the actual TB303 still continued to command high prices. So what was it about the TB303 that made it so popular? First and foremost, fashion - it was such a prominent component of the emerging and evolving dance music genres of the time that anyone who wanted to get into that style of music just had to have one. The synth section of the TB303 itself was totally unremarkable - a single oscillator with square or sawtooth waves, a very simple 18dB/Octave, resonant filter and a single AR envelope which were set using the row of six small knobs across the top of the unit! But whilst the 303 was obviously limited in the sounds it could make, it was maybe the simplicity of the thing that appealled to novices in this emerging, electronic musical style plus, of course, those knobs made it easy to manipulate the sound in real-time. But as well as the sound of the instrument and its real-time tweakability, what probably defined the TB303 more than anything was its sequencer. It was possible to program patterns using the small on-board mini-keyboard and these patterns could be chained together exactly like a drum machine to create more sophisticated songs (although it must be said that the typical use of the 303 in dance music was to have one sequence pounding away relentlessly for the duration of the 'song'). However, despite the one octave limitation of the 'keyboard' itself, transpose keys allowed you to program sequences that spanned several octaves and, despite its name, the TB303 could do much more than just basslines. It was also possible to program in accents which opened the filter for some dramatic tonal punctuation. It was al

Just another one of my afternoon warmups. This time with my VDrum kit.

Got my MC 808 2 days ago, and sampled arround. Everything is made by myself, no presets have been used. Thank you for listening...

Love him or hate him, he is a character! This hand showcases Mike at his absolute best!

Crazy Proffesor doing people clone, teleport, and time control in very funny style

My Video for this Champion Woman Music : T.A.T.U. "Stars" & Europe "The Final Countdown"